Tag Archives: stories

Mayhem in March: Monthly Writing Prompts

It’s time, my voluptuous golden minions for the monthly prompt selection by your Mistress of Fine Arts. I was hellbent on NOT doing themes every month, especially considering I did do a theme in January AND February related both to holidays and the weather, so this month’s prompts are thankfully unrelated. Although, I did sneak in a little Irish Celtic mythology in one of them so that St. Patrick’s Day would be at least vaguely connected. Can’t help but love my Irish heritage. AmIright?

Now that I’m done rambling. I present—–Mayhem in March Writing Prompts!
(All prompts were found or inspired by Awesome Writing Prompts)

Write about someone who uses office supplies for evil.

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Write a story with this criteria: Genre-folk tale. Person-hairdresser who moonlights as an assassin. Problem-there’s a red cap on the loose in town.

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Use these three words in a story: a mustache, a tube of lipstick, and a ray gun.

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Feel free to use the photos here as additional inspiration. Sometimes the right photo can jar an idea even faster than the words. Visual description is part of what brings the story to life as you know.

So, join with me this month in writing something with these prompts. It can be 100 words, it can be 1500. Whatever the muses decide. And when you’re finished with the story or even just part of it, send it to me at Amyoung0606@gmail.com and you will have it published on here.

Just to recap. Basically, write using one of the above (or all of them if you’re brave enough) ((if you’re really brave you’ll use all in one story)) from 03/03ne/16 until 03/27/16. Then you email it to me and watch as people revel and enjoy in your piece of art.
I know I will.

Happy reading and writing!

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Scary Setting: Why They Were Picked For Stories?

We all know why the phrase “on a dark and stormy night” brings on a wave of chills and terror when read.  Yet, it is where you are on that stormy night that truly turns a story into the horrifying one the author’s nutty brain imagined.

The mystery and suspense thrive on the creation of a spooky setting

The setting may be just part of the background for some writers. I have found the more I read (as a writer), the more important place becomes to the story. It’s not only the playing board on which the writer sets his/her characters, but it can bring the story to life for the reader. Besides, do you think if a horror story were set in a different place, the story would really stay the same? HELL NO!

Would The Strange Case of Dr. Jekyll and Mr. Hyde be the same outside of London? Or how about Dracula and Transylvania? None of these classics would hold the same power if they weren’t set in these eerie places with descriptions to match. There are a few familiar examples to follow to help explain my point. Anne Rice’s Interview with a Vampire would feel out of place without New Orleans casting its old world mysticism onto the modern story. Most of Stephen King’s novels take place in a fake town in Maine, allowing him to create the most fantastic horror stories of our time. Finally, I Am Legend by Richard Matheson is set in the ruins of Los Angeles leaving its main character alone with throngs of mutated humans that once populated the luxurious city.

At times, the writer will focus too much on the plot or characters to notice what makes good horror writing truly believable, but that is where the terrifying bumps in the night live. I found the inspiration for my next story not in a person or idea, but in a place.  About a ten minute drive from home, sits several new developments with pretty, new houses. When I say several I mean hundreds of brand-new, huge mansion-sized houses in the forests of Western Pennsylvania–all empty. There are one or two occupied houses in each development and the rest…Well, the rest are as deserted as a Western ghost town (also another great location).

Now, I may not be an economist or real estate agent. However, building hundreds of $400,000 homes in an unlikely real estate location strikes me as odd. So odd that it becomes spine-tingling creepy if you visit them at night.  My story does not have a spooky city, but a spooky house. It may seem cliche or lame, but it is the perfect place to write my new science fiction horror.

What are your favorite scary settings in novels and if you’re currently writing a horror, why did you choose the setting you did?

Happy reading and writing!!

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Life of A Grad Student: Not So Grand

So, a few days ago I posted about my life as a graduate student and how fun it is. Well, here is the opposite side of that coin.

Today, I sent off my first assignment of at least 10 pages of fiction.  Within 24 hours, I had a response from my lovely mentor. I was anxious and excited at the same time. Every minute of our workshop time, I was eating up every word she said. The experience and the stories she told were magical. The insight she gave into the stories I wrote revolutionized the way I looked at my own work.

At the same time, I’m constantly struggling with how well my writing is being received by those in the “biz”: published authors, professionals, and teachers. I have a fear like most writers that my stories aren’t going to be good enough for people to enjoy. But that is not important at this point because I’m just starting to hone my craft and it will take a lifetime to become a good writer.

As I open the e-mail, my mentor explains that the following notes are meant to teach me things that I will be able to apply to all my writing. I sigh in relief knowing that what lies ahead are a lot of little details I don’t know about yet. I feel like I’m back in grade school learning the rules of Grammar.  I read through  13 pages of my story, watching as my mentor solved all of the problems I had in the story.

See, I have problems putting too much detail, too much information in the  story and not moving the action along enough.  And Jane Boyer, my mentor, solved the problem for me in a few paragraphs. Now this skill of being able to know what belongs in a story no doubt comes with time and practice, which I have neither. At the end of my mentor’s assessment, she gave me comforting words that although my draft was rough, it was not the end of world. It won’t be the end of the world, I’m sure, but if I can’t learn to keep those pesky unneeded details out it will be.

The hardest part about the program is the ability to grow as a writer. I know all of the things I need to write, but I don’t know if I can write them well enough. I hate that I’m afraid of my own writing, but I guess it helps me to constantly improve myself.

What do you struggle with as writer? Is it developing a character or depicting the perfect scene? What advice do you have for me struggling with putting too much detail or others with their problems?

Always remember your purpose regardless of your struggles

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